重口味SM

Francess Georgina Halpenny: 'Incredible force of nature' spent decades working on Dictionary of Canadian Biography

Photo of Francess Halpenny
Francess Halpenny in her office, December 1972 (photo by Robert Lansdale, courtesy of 重口味SM Archives)

Francess Georgina Halpenny played a key role in the post-war expansion of Canada鈥檚 book industry, helping to cement the 重口味SM鈥檚 position as a centre of academic publishing.

Halpenny, who died in December at the age of 98, was a long-time senior editor at U of T Press, dean of the Faculty of Library Science (now the Faculty of Information) for six years in the mid-1970s, and she spent 20 years as the editorial force behind the Dictionary of Canadian Biography. In those roles she was a mentor and role model for women in academia and publishing. But she was also gracious, approachable, and eschewed the limelight.

Outside of her work, Halpenny was a devotee of music and the theatre 鈥 having written, directed and performed in plays in her early years. She remained deeply interested in the arts and public affairs until her death on Christmas Day.

At U of T, Halpenny was 鈥渁n incredible force of nature,鈥 said current dean of the Faculty of Information, Wendy Duff. 鈥淪he was probably the most pre-eminent dean we ever had.鈥

When Halpenny became dean, she had lunch with every student in the faculty 鈥 usually in small groups 鈥 to make sure she got to know each one individually, Duff said. 鈥淪he touched the lives of every single student.鈥

Halpenny taught a course on contemporary publishing, and was a 鈥渇antastic lecturer,鈥 Duff said. 鈥淪he had a dramatic presence [and] the ability to hold a whole room.鈥

At the library school, Halpenny took the helm at a time of great upheaval. In the 1970s the faculty was in the process of implementing computers, moving into a new building, and graduating its first PhD students. Halpenny鈥檚 approach, Duff said, was to make sure graduates had the analytical skills to deal with any eventuality in a rapidly changing world.

In parallel with her teaching and administrative position, Halpenny worked as an editor at U of T Press, which she had first joined in 1941, moving into increasingly responsible roles as it expanded rapidly in the 1950s, '60s and '70s. She shepherded into print the work of scholars, many of whom were not easy to work with. Roy MacSkimming, in his history of Canada鈥檚 publishing industry The Perilous Trade, said a key part of Halpenny's job was 鈥渢he care and feeding of academic egos.鈥 

Her 鈥渢act, thoroughness and sharp editorial eye,鈥 helped her get the authors on side, he said.

Among the many important works she handled were Marshall McLuhan's The Gutenberg Galaxy, Eric Arthur鈥檚 Toronto, No Mean City and Robert MacGregor Dawson and Norman Ward鈥檚 seminal work of political history, The Government of Canada

Ian Montagnes, who was a colleague of Halpenny's at the Press and later became its editor-in-chief, said she built an unparalleled team of highly skilled editors who were able to improve the manuscripts handed to them by academics. 鈥淏ut she believed that the editor's work should be invisible,鈥 he said.

In a 1961 essay about academic publishing, Halpenny outlined her philosophy: 鈥淚t is one of the oddities of the editorial function that it is most successful when least observed,鈥 she wrote. 鈥淚t has been well performed when the hovering pencil is least evident in the final result.鈥

Halpenny鈥檚 biggest mark in publishing may have been as the editorial director behind the Dictionary of Canadian Biography, a highly ambitious, bilingual project developed by the U of T Press in association with Laval University鈥檚 publishing arm in Quebec City. Its first volume was published in 1966, and Halpenny took over as general editor in 1969, steering its operations until 1988.

The Dictionary of Canadian Biography was a major undertaking at the Press and was an innovative work in Canada, said John Yates, the current president of U of T Press. 鈥淎 biography of famous Canadians by year of death, in English and French, was not something that had been published previously and was quite ground-breaking,鈥 he said. Halpenny played a 鈥渃ritical part in the project,鈥 which also helped build the reputation of the Press, he said.

Halpenny was so devoted to the project that for many years she maintained an apartment in Quebec City, where she spent about a week each month conferring with her Laval counterparts.

Francess Halpenny was born in 1919 in Ottawa, but the family soon moved to Maxville, in eastern Ontario, where her father ran a drug store. When she was about 10, they came to Toronto. Halpenny went to Brown School and Oakwood Collegiate, where she excelled at English but barely scraped through the mathematics requirements. With a scholarship, she enrolled at U of T鈥檚 University College, in a newly created English language and literature program.

At UC she particularly enjoyed Barker Fairley鈥檚 course on Goethe鈥檚 Faust, and became enamoured with 19th century literature. She later said that if she had gone on to do a PhD, it would have focused on Tennyson鈥檚 Idylls of the King. Halpenny also developed a love for the theatre while an undergraduate, joining the UC Players鈥 Guild and performing at Hart House Theatre, as well as writing and directing.

But it was an era of upheaval, and she graduated in 1940 just after France fell to Hitler鈥檚 Nazi army. 鈥淚t was a very anxious and dreadful time,鈥 she said in reminiscences recorded in the last years of her life. All her male colleagues knew they would soon be in uniform.

After spending a year on a master's degree, then working fora little over a year in a junior position at the U of T Press, Halpenny decided to enlist in the Royal Canadian Air Force. 鈥淚 felt very strongly that everybody鈥檚 effort was needed,鈥 she said. After basic training, she was posted to Newfoundland, working in a meteorological office north of St. John鈥檚 where she developed weather forecasts to help guide Allied aircraft and warships. Later she served briefly in Summerside, P.E.I.

It was responsible war work, but safe, and Halpenny made friends and developed a taste for travel. 鈥淚f anybody can be said to have had a good war, I did,鈥 she said years later. 鈥淚 was not in danger.鈥

After the war, Halpenny returned to Toronto, and to U of T Press, which was short of staff but about to begin a dramatic expansion. Universities were booming, and U of T President Sidney Smith wanted it to become a force in scholarship 鈥 and a prominent publisher of scholarly works. Halpenny, was in the right place at the right time to take a leadership role. 

But she also maintained an active life outside the university, was devoted to her elderly mother, and was deeply interested in the arts, said her niece Jane Loughborough.

Halpenny would take her nieces and nephews to the Stratford Festival when they were very young, Loughborough said, and that tradition continued for many years. Halpenny also set up accounts for them at Britnell鈥檚 bookstore on Yonge Street in downtown Toronto, so they could pick up books whenever they wanted. She had season subscriptions to the ballet, the opera and the symphony, and was a big donor to cultural charities.

While Halpenny believed in keeping work and private life separate, she did occasionally bring work home, Loughborough said. At the family cottage, she sometimes recruited her nieces and nephews to help with the index of a book. 鈥淪he would go through the book, identify the things that needed to go into the index and what page it occurred on, and we would write it on an index card,鈥 Loughborough said.

Despite her accomplishments, Halpenny never figured out how to use a computer. 鈥淪he had no technical skills whatsoever,鈥 her niece said. 鈥淗er brain just didn鈥檛 work that way.鈥

Her nephews and nieces were only vaguely aware of Halpenny鈥檚 importance in the publishing industry, Loughborough said. 鈥淲e had a sense of her stature and her interests, but not of the accolades. She was so humble.鈥 Eventually, however, as those accolades began to roll in, it became clear to her family how highly she was regarded. Halpenny received 11 honorary degrees, the Order of Canada, and many other awards.

After retirement, Halpenny continued to write papers related to publishing, and she read voraciously and kept on top of current events. When her eyesight failed in her later years, her family hired two readers to visit her at Sunnybrook veterans鈥 residence and help her plow though the Globe and Mail, the New Yorker, the Times Literary Supplement, and many books.

Halpenny was a senior fellow at Massey College, and would meet with graduate students there until she was unable to make the trip. Former head of Massey College John Fraser describes Halpenny as a 鈥渄oughty personage who had a big heart, and was really interested in young people.鈥 When she talked to graduate students, 鈥渟he made them feel that what they were doing in scholarship was worthwhile and worthy. I never saw a young person talking to her who didn鈥檛 leave knowing that they had been in touch with a genuine character and an inspiring person.鈥

 She leaves her brother Arthur, and nieces, nephews and their offspring. A memorial service for Francess Halpenny will be held on March 26 at Northlea United Church in Toronto.

 

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